Jaishankar Prasad Hindi Essay | essay on great poet jay sankar prasad in english

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Jaishankar Prasad Hindi Essay | essay on great poet jay sankar prasad in english

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Jaishankar Prasad Hindi Essay | essay on great poet jay sankar prasad in english


Jaishankar Prasad Hindi Essay | essay on great poet jay sankar prasad in english

Hello friends, today we Jaishankar Prasad Hindi Essay
You will know essays on this subject. In the world of Hindi literature, the eminent late Shri Jaishankar Prasad incarnated as an artist who presented an epoch. He was a multi-talented artist. He introduced his versatility in various genres like poetry, drama, story, novel, champu, essay and criticism. In the twentieth century, there was no other artist in the field of literature with such excellent talent as Prasad. In fact, he was a poet of Hindi. Prasad’s literature is the golden message of the present in the background of the past.

Jeevan-Parichay- Prasad ji was born in the year 1946 on the Dashmi of Shukla in the famous Vaishya family by the name of Sunghani Sahu of Kashi. His grandfather Shivaratna Sahu was a man of extremely generous nature. Many stories of his generosity are still prevalent in Kashi. His father Devi Prasad Sahu was revered like Kashi Naresh for entertaining Pandits, scholars, singers and artists. Prasad ji was brought up in great splendor with great pampering.

Prasad ji started studying Sanskrit, Hindi, Urdu and English with great interest and in a short time acquired good knowledge of the said languages.

His entire family was Shaivite, so his family often held seminars on the principles of Shaivism. Due to this, Prasad ji was later influenced by Shaivite philosophy.

Personality – ‘Medium height, fair complexion, round mouth, curvy one-to-one teeth, which seemed very natural in laughing, wide forehead, strong-strong body- these were our offerings. Earlier, they used to wear muslin kurta, Shantipuri dhoti. Later Khaddar also started wearing. He had glasses on his eyes and a stick in his hand. Prasad’s family has been famous for exercising. Prasad also used to exercise and wrestle regularly every day. That is why his body had become curvy, strong and strong. ‘

Prasad’s personality was formed from his struggling life. Seventeen-year-old Kishore Prasad was burdened with business, household and debt and when he entered the world of literature, he also faced struggle there.

Krititva- Prasad ji in 1909 AD. I started writing in He was 20 at the time. From then on, for 25 years, he was engaged in intense literary practice. Prasad ji has filled Bharti’s storehouse in both quality and quantity. We can divide his entire literature into seven sections

1. Poetry- Chitradhar, Karunalaya, Prem-pathik, Maharana ka mahtab, Kanan-kusum, Ansu, Jharna, Lahar, Kamayani.

2. Drama- Sajjan, Kalyani-Parinaya, Prayashchit, Rajyashree, Visakha, Ajatashatru, Janmejay ka Nagayagya, Kamana, Ek Chunt, Skandagupta, Vikramaditya, Chandragupta Maurya, Dhruvaswamini.

3. Novels- Skeleton, Butterfly, Iravati (incomplete).

4. Story-Collection- Shadows, Pictures of Chitradhar, Echo, Sky-Lamp, Storm, Magic.

5. Champu- Urvashi, the kingdom of love. 6. Collection of Essays – Poetry and other essays. 7. Editorial articles and comments – in Indu, Jagran and Hans.

In the words of Dr. Shantiswaroop Gupta- ‘Mahakavi Jaishankar Prasad incarnated in the field of Hindi literature with a versatile and huge talent. While on the one hand, all the forms of poets, playwrights, novelists, storytellers, essay writers, etc. have been incorporated in his personality, on the other hand, the extreme culmination of these various streams of literature can also be seen in him. ‘

Poetic Features- Prasad-Kavya can be reviewed in terms of meaning and art as follows

1. Philosophy of love and beauty- Every shadowy poet sees the philosophy of infinite beauty in every part of the world. Like other shadowy poets, Prasad ji is a worshiper of such pervasive beauty. His ‘Kamayani’ and ‘Aans’ poems contain many pictures of love. Their love is subtle and inner

Jal utha sneh deepak-sa, navneet hriday tha mera

Now with the rest of the dhoom line, painting is dark.

2. Eroticism- Prasad ji did not describe the beauty of Shraddha like the poets of Ritikalin, while describing the beauty of Shraddha, enlightened him with the image of eternal youth, compassion of the world, beauty idol of heart, sweet shadow of lust, complete work. Where is the statue etc. Nowhere in these descriptions are there gross and earthly adornments, the visions of sexuality or luxury,

As the idol of compassionate desire of the world radiant with the image of eternal youth, reveals the fullness with the charm of touch as the vigor in the root.

3. Depiction of self-experienced pleasures and pains- In the poetry of Prasad corresponding to the shadowy poets, their experiences of self-experienced pleasures and pains are depicted. ‘Aansoo’ is the best poem of his experiences

Crying and sobbing, I would say a pathetic story. You hear Suman scratching, you do it unknowingly.

4. Spirituality- Mystery-feeling is its own characteristic of shadowy poetry. In Prasad ji’s poetry we have visions of this mystery-feeling at different places. The curiosity that first arose under mysticism is thus expressed in Asha Sarga of ‘Kamayani’

O infinitely delightful! Who are you How can I say this? How are you What is The idea of ​​this cannot be tolerated.

The mystical sentiments described in Prasad’s poetry are in line with the ideology of hedonism.

5. Humanist approach- Shadow poets have adopted human love with intensity. They love the whole world without being bound by any limited or narrow nationalism and patriotism. Look at these lines of Anand Sarga

Said, look that here, no one is a stranger, we are not other and family, we are only one of us.

The shadowy poets have radically changed the traditional form of woman and given her divine and supernatural beauty. Prasad ji has also described the woman as having compassion, love, affection, sacrifice, service, dedication, profound faith etc.

Woman, you are only faith, faith in silver nug pag-tal, pour piyush-srota-si, in the beautiful plane of life.

6. Artistic features- (a) Prasad ji has used sentimental Chitropam language. Both the poems ‘Kamayani’ and ‘Aansoo’ have philosophies of this pictorial imagery. A picture of ‘Kamayani’

Dhara-vadhu on the Indus-sage now, sitting slightly compressed-si, in the hustle-bustle-memory of the cataclysm, assumed-si anthi-si.

(B) Prasad ji has used more metaphorical and symbolic words. Consider an example of symbolism

Jhanjha jakor garjan tha, bijli thi, neerad mala,

Finding this empty heart, everyone came and camped.

C) Prasad ji has introduced fundamental talent in astral metaphorical legislation. The greatest feature of their metaphorical legislation is that they have been used everywhere to draw juice or expressions or pictures. See an example of humanization

Eyes-meeting, as if nature seemed enlightened,

The limbs of the sea-waves, go to sleep again and again.

(D) From the point of view of verse-legislation, the gift of Prasad T is incomparable. He has used Roopmala, Rola, Saar, Trotak and Shringar verses with great success but the verses of ‘Aansoo’ is a new gift to his Hindi literature. The verse of ‘Aansoo’ has proved to be as impressive in its speed, yeti and sonorous beauty as the ‘Meghdoot’ of Sanskrit has proved to be effective in its Mandakranta verse. Some critics have now dubbed it ‘Aansu Chhand’


7. As a novelist- Prasad ji wrote two novels named ‘Skeleton’ and ‘Butterfly’. Due to his untimely death

‘Iravati’ could not complete the novel. ‘Skeleton’ and ‘Butterfly’ are social novels and ‘Iravati’ is historical. In the novels they appear to be aware and aware of modern problems.

8. As a storyteller- Prasad ji holds a proud place in the field of storytelling. When the Hindi story was in its infancy, Prasad ji’s story titled ‘Village’ was published in ‘Indu’. Due to its originality, this story has been counted among the best stories of that time. After this Prasad ji composed many stories.

9. As a playwright- Prasad ji astonished the literary world by putting poetry-art as well as drama-art on the lathe. In the words of Acharya Nanddulare Vajpayee- ‘Prasad ji has given drama a new character, new events, new historical country-period and dialogue in the field of drama.’

In short, it can be said that Prasad ji is one of the creators of Hindi literature. He enriched Hindi literature through his literature. The personality and work of this creator of new age in Hindi literature is wacky. Guys, please tell us how you felt about this essay by commenting on it.